double exposure

Four years ago, a beautiful young heiress survived an attack that claimed the lives of both of her parents. The crime made headlines all over Los Angeles, both for the vicious nature of the killings and the seemingly random nature of the attack: nothing was stolen, and the van Aust family had no obvious enemies. Melia van Aust fled the city soon after the murders – which were never solved – but her brother Jasper has not been seen since.

After a childhood spent in the shadow of her famous parents, Rainey Hall understands the dynamics of a dysfunctional family. She still hasn’t recovered from a tragedy that tore her own family apart six years before. It's part of the reason why she started her own private investigation agency—to aid victims of crimes that might otherwise go unsolved.

When Melia returns to Los Angeles and moves back into her family home, someone begins sending her increasingly violent messages that allude to the killing of her parents. She hires Rainey to track down the culprit and find her missing brother. Touched by the similarities between their lives, Rainey feels compelled to protect Melia, even when it becomes clear that their relationship has become more than professional.

Soon, Rainey finds herself falling down the rabbit hole of Melia’s life. Her quest to find Melia’s stalker will bring her in contact with disgraced royals, seedy neighbors, violent ex-boyfriends and former staff, each one with their own set of secrets. As the threats against Melia escalate and the two women are drawn together, it’s only a matter of time before another victim turns up.

windhall

1940s Hollywood was an era of decadence, and director Theodore Langley was its king. Paired with Eleanor Hayes as his lead actress, Theo ruled the Golden Age of Hollywood. That ended when Eleanor’s mangled body was discovered in Theo’s rose garden and he was charged with her murder. The case was thrown out before it went to trial and Theo fled L.A., leaving his crawling estate, Windhall, to fall into ruin. He hasn’t been seen since.

Decades later, investigative journalist Max Hailey, raised by his gran on stories of old Hollywood, is sure that if he could meet Theo, he could prove once and for all that the famed director killed his leading lady. When a copycat murder takes place near Windhall, the long reclusive Theo returns to L.A., and it seems Hailey finally has his chance.

When Hailey gets his hands on Theo’s long-missing journals, he reads about Eleanor’s stalkers and her role in Theo’s final film, The Last Train to Avalon, a film so controversial it was never released to the public. In the months leading up to her death, something had left her so terrified she stopped coming to work. The more Hailey learns about Avalon, the more convinced he becomes that the film could tell him who killed Eleanor and why she had to die. But the implications of Avalonreach far beyond Eleanor’s murder, and Hailey must race to piece together the murders of the past and present before it’s too late.